Hullo, everyone, 
  Yes, I know, Bihar  is crazy. But if you have to see it absolutely,
  irreconcilably, irretrievably, irrevocably mad,  this is the season for
  it -- Chhath. 
       Whether rich or poor, young or doddering, a queen  like Rabri Devi or 
    a shanty-dweller, Hindu or Muslim, everyone goes  crazy. Every alley is
    swept, every road decorated, special rules are  followed by the Patna
    Municipal Corporation to see that every nook,  cranny and corner are
    clean and lighted etc, etc, etc ... 
   Trucks are hired, cars borrowed, space on the banks  of the Ganga
    looted, masculine help from wherever it can be  found garnered, thieves postpone all activity, rapists defer theirs,  recalcitrant sons turn
    overnight into obedient ones and husbands who  haven't looked at their
    wives in ages take their turn to press her feet ... 
   And those Bihari women, who live in far-off lands  also manage with
    their husbands and sons pouring water by the  bucketful pretending they are standing in the Ganga. 
   But ask any of these why she indulges in all the  rather rigorous
    religious rigmarole spread over three days, marked  by offerings made
    to the dying sun then the setting sun and she'll  never be able to tell
    you why. 
    And another question that comes along is -- why is  there no temple to
    the sun in a land where people go mad for the sake  of the sun? In
    fact, there are only a dozen sun temples in India and the  best
    recognised happens to be in our neighbouring state  of Orissa. 
   No one knows. 
   Here there are two stories involved.
    Once upon a time in the Dwapar-yug, there reigned a  King Shyam, who was good, just and highly popular. But he happened to get the  dreaded leprosy. Many of his faithful courtiers around him also contacted the disease. 
   Maintaining that only a king who was mentally and  physically fit
    should rule over his people to be able to give them  his best, he
    abdicated in favour of his younger brother. 
   Someone suggested that when poet Mayurbhatta had  had the disease, he had made a pilgrimage of all the temples devoted to the sun  and then written an immortal set of hundred couplets praising the sun, the Surya-shatakam. 
   King Shyam, too, set off on a pilgrimage to the  twelve sun temples of
    the country. Many of those who loved him, also  insisted on going along
    in order to look after him. 
   The little band of people went around India,  painstakingly offering
    prayers at every sun temple. But the condition of  King Shyam became
    worse by the day. The last temple was Konark and  made for it. On their way they were crossing the deep forests at the foot of  the
    seven-hilled Magadhan capital, Raj-griha. 
      Tired and thirsty, they decided to rest under some  trees. And the
    prime minister told some of his men to look around  for some river,
    some source of water ... 
   They went looking, but found nothing. When they saw  the sun lowering above the forest they started back. Just then one of them saw  a dirty pool of water -- several pigs lay about in it.
    They stopped and pondered -- to let their king die  of thirst was a sin
    they would never be able to overcome in many lives,  but to give him
    this dirty water ... ? 
   One of them decided to let the king make the  decision -- taking some
    clean cloth he scooped up some water into his lota,  straining it ... 
   Suddenly, he noted that the ugly patches of leprosy  on his hand had
    magically vanished. He told the others. They, too,  washed themselves
    in the water and were healed. 
   They went running in glee to their king. 
   This Surya-kund is said to heal all kinds of skin  diseases even today
    -- it lies hardly five minutes walk from where the  remains of the
    world's oldest university is -- Nalanda University  -- which you leave
    to the left. 
   The other story is about the king of Magadha,  Bimbisara or
    Ajatashastru (I think it was the latter --  Bimbisara was the one
    Ajatshatru jailed to become king himself) who was an  unhappy man
    because he did not have a son to pass his sceptre  on to and it was
    unthinkable that the great kingdom of Magadha  should go without an
    heir. He had married twice, but to no avail ... 
   The courtiers and subjects, all shared their king's  unhappiness. The
    whole land was plunged into gloom. 
   One day a man came running in with news for the  king -- there was a
    sage in the forests who could grant any man his  wish. Happily, the
    court prepared to make offerings to the famous sage  and they all went along. 
   The sage gave the king a fruit and said to give it  to his queen. 
   But on their return, the king could not decide what  to do -- it was
    not the senior queen's fault, and certainly the  younger queen was as
    innocent. What should he do? 
   Finally, he cut up the fruit into two equal halves  ... 
   When the time came -- the sixth day or chhathi of  the shukla paksha after Diwali, both the queens delivered  perfectly-formed, beautiful
    babies -- but in halves. And unmoving and lifeless. 
   The king was shocked. Quickly deciding that the  queens must not see
    their babies, he ordered that they both be thrown  away in the forests. 
   But in the same forest lived a formidable demoness  whom everyone
    feared -- Jara, and she too wished for a baby --  any kind, from
      anywhere and she swore she would make it hers. 
   That day, as evening came on and the setting sun  made for the horizon, Jara sat up, her energies renewed at the onset of the  bewitching, dark hours and, eager to start her search, she set off ... 
    And there was this baby, lying lifeless. 
   Delighted she caught a glimpse of the setting sun  through the green
    foliage and said a moment's prayer, 'Suryadev, you  put life in all
    living things, please bless this baby, too ...' 
   And she bent and gathered up the two halves into  her loving arms. And the baby cried out ... 
      The king's men hadn't got very far -- and they  returned to claim the baby. 
   Quarrelling, they all went into the presence of the  king. And the king
    made a just decision, 'You, Jara, will for ever be  known as the
      Mother. But the future king of Magadh cannot be  brought in the forest. 
   He has all languages to learn and yuddhavidya,  arthashastra,
    dhanurvidya, etc, to learn.' 
   The demoness agreed to this. 
   'So, you will come and go here as and when you  please but the prince
    will be brought up as befits the future ruler of  the mighty Magadhan
    empire.' 
   That is why the whole of Bihar  makes offerings to the setting sun. 
   Then offerings or arghya are offered to the rising  sun. 
   This is Chhath, and Jara is the Chhathi Maiya to  whose life-giving
    glory thousands of songs are sung. 
   And so great is Chhathi Maiya, so vast the reach of  her blessings that
    even to pick up a pebble from the path of a woman  undertaking chhath as she makes her way to the Ganga  incurs the blessings of Chhathi Maiya. 
   This is also the Jarasandh (by the way its jara  plus sandhi) of the
    Mahabharata fame whom Bheema, the Pandava wrestled  with. Jarasandha's akhara is still there in Rajgir for all to see -- since it  was
    irrigated with milk, the soil is white and  sparkling in the akhara
    while round it is deeper-coloured, granite-coloured  soil. 
   OK, then, see you next time. Shruti 
    
  
   
  
    
  
  
  Comments... 
  Many thanks Shruti for a simple explanation which was not know to me. I have spent several years of my early in Chapra and student life in Patna. Now I am settled in the North East of England (Newcastle) and had no explanation for this festival. Some of the comments made to your note are too deep in ancient history or meta-biological which I find plausible but not  cool. 
    I wonder if there is any remnant left of the Suraj Kunj that you have mentioned ? If so this well could to a place for us to visit if we happen to pass through Patna. 
     
    Many thanks again and keep up the excellent work. 
     
    Surendra Pandey 
  pandeys@talktalk.net 
  -------------------------------------------- 
  I am not sure if the authoress has gone into more detailed research about
    the origin of Chhath Puja on a more scientific manner. 
     
It is essential to remember that Chhath is performed by people of Central 
and Northern Bihar only, a very small geographical area of India. If it really
originated as a Hindu festival, surely, it would be celebrated in other parts of
the country. A Hindu mind always look for some sort of celebration, and the
worship of God is his inherent character. 
 
To me, Chhath is an Aryan festival. The first wave of Aryans were pushed 
eastward by second invasion, who were then pushed further east by the third
and final Aryan invasion of India. Gautama Buddha was a descendant of the first
Aryan settlers. Worship of fire, ode to sun, moon, clouds, wind fills the pages of
Rig Veda. Karna of Mahabharat was a sun worshipper, praying every morning to 
the rising sun. It is quite likely that at the time when Mahabharat was compiled,
Aryan tribes were worshiping sun. Aryans being travellers, leading a nomadic life,
never felt the need to construct temples as we see them today. In fact, first
temples were built in the first millenia. First statue of Gods and Goddesses were
cast in 2 AD, during the reign of Emperor Kanishk. Not that Indians were unaware of
gigantic temples and statues in Persia, Egypt; for Herodotus mentions the presence
of mercenary Indian soldiers in the pay of Persian Kings. They must have seen those 
gigantic edifices in Persia and Egypt. But Aryan mind was not for the making of statues
and temples. Despite excellent pillars and lions, Emperor Ashoka did not created a statue
or a figure of Buddha, but just a foot print. So, the sun worship must have continued
in some form or the other in a small pocket of Bihar. Over the centuries, it must have
taken more celebratory, expensive and extended form as we know of today. It is the
only worship that does not require the services of a Brahmin priest. In its purest form,
it is an ode to sun, as giver of life and light. 
 
The reason why Chhath is an Aryan festival, is easy to see even today. It is a custom
that all Aryan homes will have a courtyard, in which there will be a Tulsi plant, tended 
with care and reverence, a bamboo pole next to it flying a flag of any sort, and a room
devoid of any idol, dedicated to "Kul Devta" or family diety. A classical Aryan home. Travel
to North Bihar, go inside houses of well to do people and one will find these items. That 
ancient tradition is still maintained. And so is the worship of sun we know as Chhath. 
 
Dr. A. Kumar 
 
Norfolk, England 
ajk305@yahoo.co.uk 
  ----------------------------------- 
  WE ARE IN THE AGE OF PHYSICAL SCIENCE: So let us try to understand that way   also. We all know it very well that any Dharkan on the Mother Earth is due to   Sun/ Surya Dev only. It is his vital rays which is responsible for Generation,   Nourishment & Destruction. If sun is not there earth can'e exist. SO we can   say that it is the gateway to the life on earth/ life in us/ prana in us/ life   in every jeeva/ life in every living or non-living. Lot of us offer water, which   is very good conductor of energy, to Surya and his rays nourish us. It is great   way of interaction with Sun. Firstly the Chhath puja underscores the great   importance of Sun in our life; secondly the process of Chhath is the way to   interact with it for energising ourselves. In the kund of very good conductor of   energy i.e water if we pray him or chant it will energise greatly. This is why   we find that all the Vratis enter into water kund (ideally it should be water   till Nabhi atleast) for long hours. The results of it have been glorified in the   stories as narrated by Shruti. 
    
  Secondly on the issue of Mandir, I think it is far better that let this sun   temple be within us as it is existing in all our's heart. Shruti has very   vividly described the sense of devotion for Chathhi Maiyya in every people which   goes beyond boundaries. Let us strengthen this devotion. 
    
  jai Chhai Maiyya. 
    Omkar Kumar  
  omkar007@gmail.com 
  ------------------------------------------------------------- 
  Thanks alot shruti For such an informative article regarding Chathh puja. I have grown up watching chatth puja every year in my family but didn't know why it is celebrated . Thanks for the pointers... 
    Ganesh, Chicago, USA 
  
  
    
      For   your kind information, there are a number of ancient and Modern  Sun-temples in   Bihar. e.g. Deo Munga (Aurangabad), Deo Barurank, Deo Markandeya (Bhojpur) and   numerous other. 
      Sanjay Kumar 
      sanjaykumar@gulfoil.co.in 
     
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